[My Dinner with André comes out on DVD from the Criterion Collection on Tuesday]Watching My Dinner with André for the first time at age 15 was my introduction not only to Wallace Shawn (as an intellectual, anyhow.
Robert Charles Benchley (1889-1945) was a drama critic and writer of humorous essays, most memorably for The New Yorker, before he fell into performing after reading one of his pieces, The Treasurer’s Report, as part of a theatrical revue put together by his friends at The Algonquin Round Table.
Speaking of books – having been invited by Movieman to contribute to his Reading the Movies meme, I submit a list of the 10-plus film-related books that have had the greatest impact on me.
Despite what you've heard, publishing is not dead. (You can't be on life support and still be considered dead, can you?)
But seriously, our good news, as a glance at the pic at left will tell you, is that the first "Bright Lights book" will soon be available: Action! Interviews with Directors from Classical Hollywood to Contemporary Iran (London: Anthem Press, 2009).
A little bit Sub-genius founder Bob Dobbs (sans pipe) crossed with Joan Crawford and a little bit freaky as hell, this demon was sighted last night during an otherwise routine screening of Hitchcock's STRANGERS ON A TRAIN (1951).
From Left-Wing Radical -- In The Revolutionary (Paul Williams, 1970).
With Jane Fonda in Coming Home (Hal Ashby, 1978).
Back in the day—way, way back in the day, in 1960—I first saw It Happened One Night, at age 15 on a 17-inch TV.
Anyone with more than a passing interest in the films of Orson Welles (and not just Citizen Kane) should immediately check out American: Exhibits from the C.
Patrick Goldstein of the L.A. Times has some interesting observations to make concerning the Drag Me to Hell poster (top).
The first is a supernatural horror film. The second is a horror story without any trace of the supernatural.
NPR recently interviewed the creator of runpee.com, a website that tells you when you can dash out of a movie to go to the bathroom and return without missing anything important.
Charlie and the Chocolate Factory (2005) - Johnny Depp as Willy Wonka gives Missi Pyle, James Fox, David Kelly, Freddie Highmore, et al.
How can anyone not marvel that two of Gothic Cinema’s greatest performers, Christopher Lee and Vincent Price, were born on the same day? Christopher Lee was born on May 27, 1922.
Reading Joseph Aisenberg's excellent piece (below) I'm compelled to offer my understanding of the great Von Sternberg's stylistic obsessiveness, especially since it's something I understand and share.
Recently I re-watched Josef Von Sternberg’s The Scarlet Empress (1934) and found myself again surprised by the sickly gushy tasteless humor of the piece; had forgotten most of the film’s plot as well, despite having seen it twice before.
Long before Terminators 1, 2, 3, and 4, a revolt of the machines was successfully quelled by the Great Green Hope otherwise known as Gumby, aided by his four-legged comrade-in-arms, Pokey.
It's a point that many viewers miss, though it's difficult to blame them: Robert Altman's 3 Women is really "about" California, and quite distinctly so -- it doesn't belong to its contentual municipality in the sense that, say, Nashville does.
If you got TCM and a TIVO you'll want to snap out of your carbohydrate stupor and get ready to record dozens and several of rarely seen or screened pre-code stuff coming up starting tomorrow (Sunday).
Wallace Wood ’s cover illustration for the pre-Comics Code Strange Worlds (above) appears to be modeled on the face and form of Anita Ekberg (below).
Maybe this has happened to you: you're watching a film, dum de dum, suddenly... METHOD! Where did it come from and where does it go when it's gone? Let's take three examples that jump immediately to mind:1.